The Victor Wooten Trio w/ The Band Of Heathens, The Drew Emmitt & Andy Thorn Duo, The Drunken Hearts, Brad Parsons Band, Coral Creek

The Victor Wooten Trio w/ The Band Of Heathens, The Drew Emmitt & Andy Thorn Duo, The Drunken Hearts, Brad Parsons Band, Coral Creek
Event on 2017-03-24 21:00:00
Who is Victor Lemonte Wooten?
He is an innovator, composer, arranger, lecturer, producer, vocalist, and multi-instrumentalist. He is a skilled naturalist and teacher, a published author, a magician, husband and father of four, and a five-time Grammy award winner. But those gifts only begin to tell the tale of this Tennessee titan.
Victor, known for his solo recordings and tours, and as a member of the Grammy-winning super group, Béla Fleck & The Flecktones, has won most every major award given to a bass guitarist. He was voted Bassist of the year by Bass Player Magazine three times and is the only person to have won the award more than once.
The youngest sibling of the five amazing Wooten brothers (Regi,
Roy, Rudy and Joseph), Victor began playing music very early
in life. Growing up in a military family in which his older
brothers all played and sang, Victor began his musical journey
under the tutelage of his oldest brother Regi. Realizing that the
family band would be complete if they had a bass player, ten-
year-old Regi began showing two-year-old Victor how to play.
By the time he was 3, Victor was performing neighborhood concerts with his brothers in the front yard of their home in Hawaii. At age six, he was touring with his brothers as the opening band for soul legend Curtis Mayfield. After living in Sacramento, CA a few years, the family moved east where the Wooten Brothers continued to hone their skills playing countless clubs and concerts along the east coast.
Victor was influenced by bass mentors, Stanley Clarke, Larry Graham and Bootsy Collins, but sites his brothers and parents as his main influences. "In music and in life, my parents and brothers were the foundation. They prepared me for life by giving and teaching me love and honesty. They also taught me to keep my mind open and learn to adapt to life's ever-changing circumstances. Their guidance has helped me stay grounded today." By the early '80s, now living in Newport News, Virginia, the brothers became mainstays at Busch Gardens theme park in nearby Williamsburg.
Victor was hired as a bluegrass fiddler after older brother, Roy, convinced Busch Gardens' administrators that Victor could play. "I remember getting a phone call from Roy. He told me that he'd gotten me a job playing fiddle. I'd never played fiddle in my life. Roy asked me if I thought that I could learn to do it. I said, 'yeah.' So, I borrowed a violin from my high school and learned a few fiddle tunes. The people at Busch never knew. I worked there in the country show for many years."
It was while working in the theme park that Victor and his brothers made connections with musicians in Nashville and New York. In 1988 Victor moved to Nashville, where he worked with singer Jonell Mosser and met New Grass Revival banjo ace Béla Fleck. Later that same year, Fleck enlisted Vic, his brother Roy (a.k.a. Future Man) and harmonica-playing keyboardist Howard Levy to perform with him marking the birth of Flecktones. After three highly successful albums, Levy departed in 1993. The

band's new trio format enabled Victor to develop and display a staggering array of fingerboard skills that turned him into a bass hero of epic proportions and helped earn the band their first Grammy.
With the Flecktones in full flight, Victor set his sights on a solo career, first forming Bass Extremes with fellow low-end lord Steve Bailey (leading to an instructional book/CD and two CDs, to date), and finally releasing his critically-acclaimed and ground-breaking solo debut, A Show of Hands, on Compass Records in 1996 (voted one of the most important bass recordings of all time). Soon after, Victor took his solo show on the road with drummer J.D. Blair. Momentum and accolades built with successive tours and the release of What Did He Say? in 1997, the Grammy-nominated Yin-Yang in 1999, and the double CD, Live In America in 2001.
Victor's uncanny skills and growing popularity lead to recordings and performances with artists such as Branford Marsalis, Mike Stern, Bruce Hornsby, Chick Corea, Dave Matthews, Prince, Keb Mo, Gov't Mule, Susan Tedeschi, Vital Tech Tones (with Scott Henderson and Steve Smith), the Jaco Pastorius Word Of Mouth Big Band, and the soundtrack of the Disney film Country Bears.
In 2005 Victor revisited his solo side with the release of Soul Circus (Vanguard Records). A three-ring affair, the disc boasts such guests as the Wooten brothers, Bootsy Collins, Arrested Development rapper/vocalist Speech, Howard Levy, Dennis Chambers, Saundra Williams, J.D. Blair, Derico Watson, fellow Flecktone Jeff Coffin, and a who's-who of bassists, including Steve Bailey, Oteil Burbridge, Will Lee, Rhonda Smith, Christian McBride, T.M. Stevens, Bill Dickens, and Gary Grainger.
Palmystery (Heads Up Records), Victor's latest solo work, showcases a wide array of playing and writing skills with songs like Left, Right, and Center (featuring three drummers all playing together), Miss U (featuring The Lee Boys), Us 2 (featuring Victor on slide bass along with blues man Keb Mo), and the thought provoking I Saw God which boldly states "He look like me – She look like you." (Featured in the movie The Moses Code)
Victor also spearheaded the idea for the super group SMV (Stanley Clarke, Marcus Miller, Victor Wooten). Their new release, Thunder (Heads Up Records), as well as the Thunder tour has quickly become a must-have, must-see product for people all around the world.
Victor Wooten's Bass/Nature Camp, now in its tenth year, has helped hundreds of musicians of all ages from all corners of the world. The camp's recent move to its own location Wooten Woods will provide even more opportunities for Wooten and his staff to share their lifelong experiences with others.
Continuing to grow as a person, artist, and teacher, Victor Wooten is always willing to share his gifts with all who desire to learn. Offering CDs, DVDs, lectures, workshops, and camps, as well as his groundbreaking novel The Music Lesson (Berklee Publishing – a division of the Penguin Group) Victor Lemonte Wooten is guaranteed to remain a positive force in the music industry.
Chambers began drumming at the age of four years, and was gigging in Baltimore-area nightclubs by the age of six. He was recruited in 1981 by the Sugar Hill Label to be their "house drummer." Dennis plays on many Sugar Hill releases including, "Rapper's Delight." In 1978 (at 18 years old) he joined Parliament/Funkadelic, and stayed with them until 1985. In 1986 he joined the John Scofield band. Since then he has played with most of the major figures in jazz fusion music.

Dennis Chambers is an American drummer who has recorded and performed with John Scofield, George Duke,Brecker Brothers, Santana, Parliament/Funkadelic, John McLaughlin, Niacin, Mike Stern, CAB, Greg Howe, and many others. Despite a lack of formal training, Chambers has become well known among drummers for his technique and speed. Chambers is particularly regarded for his ability to play "in the pocket" but can also stretch very far out of the pocket which is also a hallmark of his technique. Chambers exhibits a powerful style that is technically proficient, yet highly musical and groove-oriented. He can play in a wide variety of musical genres, but is perhaps most notable for his jazz-fusion, funk, and Latin music playing. He is mostly known for his fast hands and triplets on the bass drum.
Saxophonist, songwriter, and arranger Bob Franceschini has appeared on more than 200 albums for artists of many idioms including Mike Stern, Paul Simon, Willie Colon, Celine Dion, Bebe Winans, Tito Puente, Tower of Power, Victor Wooten, and Tom Browne. In addition to composing and arranging, Bob has performed as a touring musician with Mike Stern, The Yellow Jackets, Chaka Khan, Victor Wooten, George Benson, Paul Simon, Eddie Palmieri, Tom Browne, Willie Colón, and many others.
ICelebrating ten years together, The Band of Heathens is set to embark on a banner year with founding members Ed Jurdi (guitar, keys, vocals) and Gordy Quist (guitar, vocals) along with Trevor Nealon (keys, vocals), Richard Millsap (drums, vocals) and Scott Davis (bass, vocals). Fresh off the boat from the SiriusXM Outlaw Country Cruise, this Austin, TX based world class rock n roll outfit has two new releases slated for 2016. The Green Grass EP premieres four new BOH originals and a faithful cover of The Band’s “Bessie Smith,” featuring Joe Fletcher, and will be followed by their 8th full length album tentatively slated for release in September.

In the coming months, they will be sailing the high seas aboard Kid Rock’s 7th Annual Chillin’ The Most Cruise, hitting select markets in the Rockies, Midwest and the Southeast and are set to return to The Ride Festival in Telluride, CO with Pearl Jam and many others later in the year. For their spring and summer 2016 tours, fans will receive a free digital download of the five-song limited edition EP, Green Grass, with all advance ticket purchases. The CD version will only be available at their shows and in the web store: For a limited time anyone can download the title track for free at

The title track of the EP, “Green Grass of California,” is a timely tongue-in-cheek marijuana anthem. “The issue of legalization has become both a ballot issue and a hot topic of discussion around the water cooler, so I like the idea of pushing it a little bit and getting involved in the discussion,” says Ed Jurdi. We’ve been playing that song live and it’s something that everyone’s been talking about with us after the show, so it’s connecting and is something that is on people’s minds.”

“It’s nice to think that we can shed some humor and light on some of these subjects that were once ‘taboo,’ but are now becoming more mainstream and integrated into the fabric of the country,” continues Jurdi. “I like the idea that we’re part of the dialogue where we drag some old draconian ideas out of the closet and expose them to the light and realize that they aren’t quite so scary in the daytime.”

The EP is a return to the kaleidoscopic rock n roll sound that the band has fearlessly forged over the course of their ten-year career. Seamlessly blending country, and R&B, on tracks like “DC9” or integrating lyrical prose with rock n roll and pop sensibilities on “Out On Each Other”, the music showcases the combustible creative chemistry of the band’s current lineup. “There’s a deeper sense of exploration on these tracks that feels really special,” remarks Gordy Quist.” I think it’s the best the band has ever sounded, and I think it’s a good reflection of where we are right now.”

Both new releases for 2016 feature the sonic shift in the band, straying further into their roots of a more which harnesses the rollicking energy of their live shows, and away from the more folk/singer-songwriter direction which they took with their 2013 release Sunday Morning Record. The new album also shows some new geographic influences with some of the recordings being done in Asheville, Austin, and Nashville.

Outside of the Heathens recording their own tracks for this year’s releases, the band spent much of their time the last couple of years backing and recording with artists like Kid Rock, Hayes Carll, and East Nashville’s own Tim Easton. The members have also been working on a variety of other projects, with Quist, continuing to live in Austin, producing records for a handful of artists and Jurdi having moved to Asheville, NC spending some more time at home with his daughter and making rounds with a number of other songwriters.

Having launched their musical career in Austin with 2006’s Live From Momo’s and 2007’s CD/DVD Live at Antone’s, as well as being honored as “Best New Band” at the Austin Music Awards (2007), 2008 saw the release of their eponymous first studio effort in a self-titled, produced by iconic Texas troubadour Ray Wylie Hubbard. That album won widespread fan approval and copious critical acclaim, as did 2009’s One Foot in the Ether, which, like its predecessor, reached the #1 slot on the national Americana radio charts. Also in 2009, the band gained substantial TV exposure, performing live sets on PBS’ Austin City Limits and the legendary German music show Rockpalast. The Band of Heathens were nominated for “New Emerging Artist” at the Americana Music Association’s Awards in 2009 & “Best Duo or Group” in 2010. In 2011, the they released their third studio album Top Hat Crown and the Clapmaster’s Son, followed in 2012 by the two-CD/two-DVD set The Double Down: Live in Denver, which once again spotlighted the band’s mastery as a live unit. Keep an eye on the band’s website and social networks for more about their first full-length album since to 2013’s Sunday Morning Record, due out in the fall of 2016.
Revered as one of the most energetic and innovative mandolin players on the jamband/newgrass scene today, Drew Emmitt’s “inestimable talents” (An Honest Tune) don’t end with just the instruments that can be picked. Holding the wheel steady on acoustic and electric slide mandolin, acoustic and electric guitar and mandola, Emmitt’s superlative storytelling and versatile vocal abilities are incomparable. Following a decade of success with Leftover Salmon, Emmitt released his first solo effort, Freedom Ride, drawing on the talent of peers John Cowan, Peter Rowan, Sam Bush, Ronnie McCoury, Vassar Clements, Stuart Duncan and Randy Scruggs. Critics and fans loved the collaboration and Emmitt relished the chance to record with some of the giants with whom he’d shared festival stages. “It's amazing,” he said, “it's like walking in a dream….Standing on stage next to Sam (Bush) is pretty indescribable.” After touring as the Emmitt-Nershi band with Billy Nershi of The String Cheese Incident for the past few years and making several reunion appearances with Leftover Salmon, Drew Emmitt's solo work is rejuvenated and once again taking the contemporary, live gig, fresh every-time approach to bluegrass music.

Following a decade of success with Leftover Salmon, Emmitt released his first solo effort, Freedom Ride, in 2002 drawing on the talent of peers John Cowan, Peter Rowan, Sam Bush, Ronnie McCoury, Vassar Clements, Stuart Duncan and Randy Scruggs. Critics and fans loved the collaboration and Emmitt relished the chance to record with some of the giants with whom he’d shared festival stages. “It's amazing,” he said, “it's like walking in a dream….Standing on stage next to Sam (Bush) is pretty indescribable.” In 2005 he followed up with Across The Bridge, an equally impressive effort showcasing Emmitt’s bluegrass chops and songwriting talents as a straight-ahead bluegrass man. After touring as the Emmitt-Nershi band with Billy Nershi of The String Cheese Incident for the past year and making several reunion appearances with Leftover Salmon, Long Road finds Emmitt rejuvenated and once again taking the contemporary, live gig, fresh every-time approach to bluegrass music.
Plays Banjo in Leftover Salmon
Folks around the West are buzzing about The Drunken Hearts. The band's fiery sound is forged from Colorado's river banks and high peaks. The Drunken Hearts are on the verge of releasing their debut EP Live for Today produced by Railroad Earth's Tim Carbone.

The Drunken Hearts have shared the stage with names like The String Cheese Incident, Railroad Earth, Elephant Revival, Greensky
Bluegrass, Lukas Nelson & Promise of the Real, Cornmeal, Head for the Hills and others. The Drunken Hearts' honest brand of alternative mountain music resonates deep within folks around the West. Infusing spirited vocals with guitar, upright bass, drums, fiddle, keys and banjo, you'll quickly find trouble trying to bottle their sound.

"…. The band is more heart than drink." —
Brad Parsons is a songwriter, vocalist and plays guitar for his solo work and band, The Local Talent. You can also find him on guitar, banjo, mandolin, keys and vocals in Horse Feathers.

Born and raised in Idaho, Parsons had drumsticks or a guitar in his hand from the moment he was first introduced to music. He currently lives in Portland, Oregon.
CORAL CREEK opens a new chapter this fall, releasing and touring in support of a breakthrough album produced by Tim Carbone of Railroad Earth. The self-titled album, CORAL CREEK, marks the beginning of a new era for the Colorado-based Americana/Jamgrass band, as the first release with standout keyboard player Bill McKay and Grammy Award Winning fiddle player, Luke Bulla.

McKay, best know for his roles with Leftover Salmon and Derek Trucks Band, joins songwriter/guitarist Chris Thompson at center stage, singing leads and contributing to the bands extensive repertoire of original material. Nashville fiddler, Luke Bulla, who earned a Grammy Award with Ricky Skaggs & Kentucky Thunder, comes to CORAL CREEK via Lyle Lovett Band, Jerry Douglas Band, John Cowan Band and Kentucky Thunder. Luke is also a distinguished vocalist and songwriter.

CORAL CREEK is a Colorado band on the rise, featuring a diverse catalog of original music spanning the genres of rock, country/bluegrass, cajun, folk and island music. While the new self-titled album sits squarely in the Americana category, CORAL CREEK live performances transport audiences from the beaches of the Caribbean, down to the bayou and back up high into the Colorado Rockies – with instrumentation ranging from mandolin and fiddle to congas and steel pan.

The counter-balance to McKay’s fiery piano is the acoustic guitar of singer/songwriter Chris Thompson, stylistically blazing new trails inspired by Jerry Garcia and Tony Rice. Rob Garland (bass) and Jack Watson (drums) lock down the rhythm section, while Luke Bulla elevates the music with a soaring bluegrass fiddle and high lonesome vocals. Since forming in 2010, CORAL CREEK has performed on festival main stages, concert series and clubs across the US, Europe, Mexico and the Caribbean, sharing stages with distinguished musicians including Sam Bush, Peter Rowan, Bill Nershi and members of The String Cheese Incident, Leftover Salmon, Railroad Earth, Greensky Bluegrass, Yonder Mountain String Band, The Infamous Stringdusters and other fine acts. With the addition Bill McKay on keyboard and Luke Bulla on fiddle, CORAL CREEK is a rising tide in the swirling jamgrass sea.

CORAL CREEK, the album, will be available to order or download on November 1, 2015 online at and The album features new original songs by Chris Thompson and Bill McKay, plus instrumental contributions by Luke Bulla (Lyle Lovett Band), Andy Thorn (Leftover Salmon), Anders Beck (Greensky Bluegrass), Tim Carbon (Railroad Earth), Tyler Grant (Grant Farm), Arthur Lee Land (Great American Taxi), Scott Messersmith (formerly of The Motet) and Tanya Shylock (True Blue Band)

at Cervantes Masterpiece Ballroom
2637 Welton Street
Denver, United States

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